Program production team Hot Brown Honey – The Remix I want to use all the tools available to give a voice to indigenous women around the world.
According to director co-writer and choreographer Lisa Faarafi, there will be dance numbers, aerial performances, circus shows, satire, beatboxing, spoken word, and goofy comedy. It’s loud and definitely proud.
“Now is the time for us to live our loudest, best lives and take center stage,” explains Faarafi, a Samoan-Australian from Queensland. straight.
Running this evening (September 23) at the York Theater in Vancouver for two weeks, the show aims to energize audiences by gaining insight and empathy for others with diverse life experiences. is.
“It’s pretty hard to explain hot brown honey’” admits Faarafi. See, you might laugh or cry. It’s been an emotional roller coaster ride, but it’s really a time to celebrate together. ”
Co-writer and music director Kim “Busty Beatz” Bowers says that all of the music in the show reflects real-life experiences. Then Beets, an experienced deejay, says he takes this to the best place.
“Tracks like ‘Don’t Touch My Hair’ say exactly what we’re saying,” she declares.
The Beets family was expelled from South Africa during the apartheid era and moved to Queensland where they met Faarafi.
Coincidentally, the 20th-century South African government’s apartheid policy was modeled on the Queensland Aboriginal Protection Act of 1897, Beetz points out. Thus, the two women’s families experienced parallel forms of legislated oppression while living on different continents.
beats says so Hot Brown Honey – The Remix It aims to reverse the effects of colonialism and give a voice to the global land restitution movement aimed at empowering indigenous peoples.
“The land manager of Look where we are now. It’s okay,” Beets says.
original hot brown honey Played to sold-out audiences in Vancouver in 2018 and 2019. And both women value their relationship with Culci.
“I am very excited to be back,” says Faarafi. “We have developed very deep ties with the Indigenous matriarchies there. As you know, we are particularly vulnerable in Vancouver.”
In the remix, Faarafi plays Game Changer and Beetz plays Queen Bee. Also starring are their fellow ‘Honeys’. Hope Haami is Hope One the Beatboxer, Ghenoa Gela is her breaker on the ground, Alinta McGrady is her badass mother, Lilikoi Kaos is her Wave Maker, and Mayu Muto is her Gravity Defier.
“We have everything that people love about the show, but we have three new cast members,” Faarafi says. It has energy, so it will be there for anyone who has seen it before.”
Beats provides an interesting answer to the question of what can be achieved through live shows that books, lectures and petitions cannot always convey.
“In one study published a few years ago, it was directly related to the fact that when you are in a room and watching a live performance – theater, music, live performance – at some point, everyone starts going. I’m referring to hitting at the same time,” she replies. “It’s energetic. Even if you have completely the opposite opinion, it’s a reality that actually happens.”
That’s one of the reasons Beatz feels it’s essential for people to come together for live shows, whether or not they share the same thoughts on a particular issue.
Faarafi then quips about participating Hot Brown Honey – The Remix It’s like going to church. Everything that people liked before is still in the show, but there’s also a lot of new stuff.
“We want the audience to dance out of the building to make a difference,” adds Fa’alafi. “I think we’ve been doing this for seven years. If you want a great night full of emotions and deep thoughts, we’ve got you covered.”
Hot Brown Honey—Remix Blurs the Lines Between Social Action and Theatrical Performance
Source link Hot Brown Honey—Remix Blurs the Lines Between Social Action and Theatrical Performance